Syntax and Piano Structures in Sonata IV – Rapsodia in3 episodi per Pianoforte Op. 28 No. 1 by Constantin Silvestri

Abstract

Sonata IV – Rapsodia in 3 episodi per Pianoforte Op. 28 No. 1 is a significant work by Constantin Silvestri that has not been the subject of musicological or interpretative analysis. This study aims to offer a model for text processing in a specific interpretative key, for this work. Constantin Silvestri's compositional language skillfully merges the structural aspects of musical thought with the piano topography and its associated techniques. A convincing performance can only be achieved by clarifying the theoretical elements embedded in the text. The argumentative framework highlights piano writing easily integrated into mental instrumental patterns while proposing advanced mnemonic assimilation schemes based on a thorough understanding of Silvestri's syntactical nuances. Essentially, theorizations across various identifiable coordinates in his writing serve as foundations for developing nuanced interpretative versions, aiding in deciphering the meanings behind the unique organization of musical symbols and their expressive intent. We hope the insights uncovered will enhance the appeal of this opus within both Romanian and universal solo piano repertoires.