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Viorel Munteanu Universitatea de Arte "George Enescu" Iaşi Roman Vlad – 90 - —————————————————————————————————————————— |
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Laura Vasiliu Universitatea de Arte "George Enescu" Iaşi The importance of Roman Vlad's musicology in the context of the late 20th century musical science - —————————————————————————————————————————— |
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Adrian Pop - Style and strategy - —————————————————————————————————————————— |
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Dan Dediu - The hyperstyle – an attempt to establish a new composing method - —————————————————————————————————————————— |
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Alex Vasiliu - Novel works by Richard Oschanitzky - —————————————————————————————————————————— |
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Liliana Gherman - Alexandru Paşcanu – In memoriam - —————————————————————————————————————————— |
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Gheorghe Duţică Universitatea de Arte "George Enescu" Iaşi A typological approach to structural invariants in Sigismund Toduţă's works. (1) Monody – Heterophony - —————————————————————————————————————————— |
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Diana-Beatrice Andron - Ciaccona in the symphonic vision of Anatol Vieru - The 5th symphony "Peste vârfuri" - —————————————————————————————————————————— |
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Călin Fărcăşel - Sonatas for flute solo of composer Dan Voiculescu - —————————————————————————————————————————— |
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Loredana Elena Marus - The imagistic universe and the musical expression in "Carte fără sfârşit..." for piano solo by Dan Voiculescu - —————————————————————————————————————————— |
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Gabriela Ocneanu - Monk Filothej's Pripjala and Their Transmission in the Orthodox World - —————————————————————————————————————————— |
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Zamfira Dănilă - Teodorescu's ideas on the Adaptation of Psaltic Music for Choirs - —————————————————————————————————————————— |
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Carmen Chelaru - To be or not to be conventional! Musicology is joining performing arts - —————————————————————————————————————————— |
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Loredana Iaţeşen - Peculiar Aspects of the Syncretism in a drama with music "Die glückliche Hand" by Arnold Schönberg - —————————————————————————————————————————— |
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Cristina Andra Răducanu - From structure to performance in the "Symphonic Etudes" op.13 by Robert Schumann - —————————————————————————————————————————— |
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Eugenia Maria Paşca Universitatea de Arte "George Enescu" Iaşi Romanian contemporary vocal-instrumental repertoire for early ages - —————————————————————————————————————————— |
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Tomoko Siromoto - Beginning of Western Music Education in Japan - —————————————————————————————————————————— |
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Malgorzata Waszak- Karol Szymanowski - Heading Warsaw's Conservatoire of Music - —————————————————————————————————————————— |
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Aurelia Simion- Anton Rubinstein's Concepts and Methods on Piano Training - —————————————————————————————————————————— |
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Alicjia Gronau-Osińska- The Integration of Form in "The Poem – Requiem" for Symphony Orchestra - —————————————————————————————————————————— |
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Maria Toronciuc- Viorel Munteanu: Sonate pour violon et piano – analyse technique et interprétative - —————————————————————————————————————————— |
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Ionela Butu- Musical memorising - Didactic and Interpretative Aspects - —————————————————————————————————————————— |
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Lucia Diaconu- Esthétique et poïétique d'art interprétatif - —————————————————————————————————————————— |
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Rosina Caterina Filimon- Architecture and Music: The Philips Pavilion and Poème électronique - —————————————————————————————————————————— |
